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Foucault
Mille Plateaux
Critique et Clinique

JBSP: Journal of the British Society for Phenomenology

Finitude: History & Politics

ANTONIO CALCAGNO: Michel Henry’s Non-Intentionality Thesis and Husserlian Phenomenology

FABIO PRESUTTI: Giorgio Agamben, Gilles Deleuze and the ‘Idea of Language’ in the Synthesis of ‘Being’

BETH LORD: The Virtual and the Ether: Transcendental Empiricism in Kant’s Opus Postumum

JAMES N. McGUIRK: Aletheia and Heidegger’s Transitional Readings of Plato’s Cave Allegory

TRACY COLONY: The Wholly Other: Being and the Last God in Heidegger’s Contributions to Philosophy

FARHANG ERFANI: Fixing Marx with Machiavelli: Claude Lefort’s Democratic Turn

L’Anti-Oedipe
Proust et les signes
Spinoza et le problème de l’expression

Very large files. Just received the links; I have not had a chance to check them out yet.

John Protevi and Dan Smith have just published a wonderful entry on Deleuze. It’s quite remarkable.

Link

TOC: Volume 12 Issue Number 1 Spring 2008

Violence and Embodiment — JAMES MENSCH

Personnage, pensée, perception: Entre figure esthétique et personnage conceptuel, oscille le personnage du cinéma — CAROLINE SAN MARTIN

The Sublimity of Violence: Kant and the Aesthetic Response to the French Revolution –RADU NECULAU

Qu’est-ce qu’un dispositif? L’analytique sociale de Michel Foucault — SVERRE RAFFNSØE

Deleuze’s Other-Structure: Beyond the Master-Slave Dialectic, but at What Cost? — JACK REYNOLDS

Le commun et le capital: Réflexions sur le récit thérapeutique d’Antonio Negri — DALIE GIROUX

Erfahren and Erleben: Metaphysical Experience and its Overcoming in Heidegger’s Beiträge — JIM VERNON

Essays are available here

Making Poverty Visible – Three Theses
Alexander García Düttmann, translated by Arne De Boever

‘Falling out of one’s role with art’: Samuel Weber on Benjamin’s -abilities
Interview by Arne De Boever and Alex Murray

Becoming against History: Deleuze, Toynbee and Vitalist Historiography
Christian Kerslake

Differance of the ‘real’
Michael Marder

Why is ‘speaking the truth’ fearless? ‘Danger’ and ‘truth’ in Foucault’s discussion of parrhesia
Alison Ross

Joseph Nechvatal on the Influence of Gilles Deleuze
At The Houston Literary Review
March 2008 Featured Artist Page
http://thehoustonliteraryreview.com/Joseph_Nechvatal_March_2008.aspx

From New York Times:

It was in sometime in the ’80s when I heard someone on the radio talking about Clint Eastwood’s 1980 movie “Bronco Billy.” It is, he said, a “nice little film in which Eastwood deconstructs his ‘Dirty Harry’ image.”

That was probably not the first time the verb “deconstruct” was used casually to describe a piece of pop culture, but it was the first time I had encountered it, and I remember thinking that the age of theory was surely over now that one of its key terms had been appropriated, domesticated and commodified. It had also been used with some precision. What the radio critic meant was that the flinty masculine realism of the “Dirty Harry” movies — it’s a hard world and it takes a hard man to deal with its evils — is affectionately parodied in the story of a former New Jersey shoe salesman who dresses and talks like a tough cowboy, but is the good-hearted proprietor of a traveling Wild West show aimed at little children. It’s all an act , a confected fable, but so is Dirty Harry; so is everything. If deconstruction was something that an American male icon performed, there was no reason to fear it; truth, reason and the American way were safe.

Continue reading here

Fark Yaralari has posted quite a few good books on Deleuze.

Link