Link

Link

 ESSAYS

New Horizons in Mathematics as a Philosophical Condition: An Interview with Alain Badiou
Alain Badiou with Tzuchien Tho

Restating Sovereignty: On America’s Regaining the Old Sense of the Political
Friedrich Balke
(Up) Against the (In) Between: Interstitial Spatiality in Genet and Derrida
Clare Blackburne

Friendship, Assymetry, Sacrifice: Bataille and Blanchot
Patrick ffrench

Sartre Integrating Ethics and Politics: The Case of Terrorism
Marguerite La Caze

Philosophy's Subjects
Nina Power

TOC

Playing games/playing us: Foucault on sadomasochism: Bob Plant

Sacrificial pasts and messianic futures: Religion as a political prospect in René Girard and Giorgio Agamben: Christopher A. Fox

The inner experience of living matter: Bataille and dialectics: Asger Sørensen

Charles Taylor’s `imaginary’ and `best account’ in Latin America: Gustavo Morello

Systematically distorted subjectivity?: Habermas and the critique of power: Amy R. Allen

Comments on Amy Allen’s `Systematically distorted subjectivity?’: James Swinda

Georges Bataille (1897-1962) was by profession a librarian at the Bibliothèque Nationale in Paris. In his off hours, however, he was also a fringe Surrealist, vanguard intellectual, and writer of a wide-ranging body of work that includes philosophy, economics, poetry, and pornography. In all of these writings, Bataille was concerned to articulate a “science of the heterogeneous,” a philosophy of everything repudiated by civil society: shit, blood, sacrifice, deviance, violence. The wellsprings of this philosophy apparently lay in personal experience — in particular his childhood with a suicidal mother and a blind, syphilitic father — and yet his ideas resonated deeply with other mid-century philosophy (for example, shit in Bataille’s system was analogous to the “other” in Phenomenology and Existentialism) and helped to pave the way to contemporary “theory.”

The quality of Bataille’s work (in Supervert’s estimate) varies considerably. His worst writings are a kind of wannabe Sade, texts whose apparent inspiration lay less in their subject matter than in their subject matter’s anticipated ability to shock and appall. On the other hand, his best writings are intellectual tours de force that are to philosophy what fisting is to a virgin anus. If Sade was a more original prose writer than philosopher, Bataille was the opposite: a radical thinker whose prose skills sometimes failed to present his ideas with that Cartesian clarity the French pride themselves on. While this was probably not deliberate on Bataille’s part, it did evince a certain irony: if his project was to embrace the waste products of society, why write in a manner condoned by tradition?

Downloads

1 - Georges Bataille, The Use Value of D.A.F. de Sade (zipped PDF, 40k). This text lambasts those who de-fang Sade by considering him from a purely literary or psychological vantage point, arguing that Sade’s writings imply a practice — even a life philosophy — as well.

2- Georges Bataille, The Cruel Practice of Art (zipped PDF, 24k) “Cruel Practice” considers the relation between art, sacrifice, and death. It was originally translated by Supervert for the BLAM! 1 CD-ROM, and is now presented here in a new and revised translation.

3- Georges Bataille, Story of the Eye (zipped PDF, 108k) Perhaps Bataille’s most famous text, Story of the Eye is a tale of obsessive sexuality involving rape, necrophilia, coprophilia, fetish objects (particularly eggs and eyeballs), and half a dozen other types of deviance. For this electronic edition, Supervert took the copy that’s been floating around the internet and cleaned up the numerous typographical errors afflicting the digitization.